Contact: Biographical
Information: Cusack was born in Chicago in 1945 and moved to New York in 1959. She lives and works in a nineteenth-century Brooklyn brownstone with her husband and daughter. Cusack graduated from Pratt Institute in 1968 with a BFA cum laude in graphic design. She worked as an art director til 1972. Her interest in stitched artwork began with a series of explorations in texture, color and sewing-machine embroidery. This resulted in her fabric collage machine applique technique. Cusack’s first piece was a rather naive stitched portrait of her husband, Frank. Then, by applying the graphic design techniques from her work as an art director/ designer, she developed a portfolio of stitched images for corporate, advertising, and editorial clients. Cusack’s fiber art career includes hangings for The Culinary Institute of America in Hyde Park, New York and Brooklyn’s Mugavero Center. She has also created stitched commissions for both public and private collections. Her work has been exhibited at the Renwick Gallery and the Smithsonian Institute. Highlights of her stitched illustration career include: “We Give Thanks,” a United States postage stamp for Thanksgiving 2001; the soft sculpture cover of the 1999 Print Magazine Regional Design Annual; a 1997 Time Magazine cover; the 1986 Avon calendar; the Altman’s Christmas catalog cover in 1981, a twelve-foot bus poster for Brooklyn’s Fulton Street Mall; “The Christmas Carol Sampler,” a 1983 book of songs; and “Shenandoah,” the Broadway musical poster. Cusack is available for commissions, exhibitions, lectures and workshops. alike.” Her retrospective exhibition, “Uncommon Threads,” will debut at the Museum of Illustration at the Society of Illustrators in Manhattan Ocober 5-29, 2005 and will then tour around the United States. Cusack’s new book, Picture Your World in Appliqué was been published by Watson-Guptill in August 2005 and includes seven projects and more than 200 color photographs. Robert Shaw, author of The Art Quilt commented, “Margaret Cusack’s textile Americana combines broadly appealing subject matter with serious artistic skills. This book makes her techniques as accessible as her images and provides information that will be useful to amateurs and professionals
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